Category: Concerts

Please Put the “Give” in Giving Tuesday

What’s the most fun? Going to an Art Mob concert. (That’s only if you’re not singing in it, which is even more fun.) On December 17, 18, and/or 19, you’ll have a chance to do that for the first time in two whole years. Hurrah! We have an exciting new director, Cynthia Shaw; we have some great new singers added to (most of) the old ones; and we’ve programmed a kick-ass bunch of songs. We’re pumped for this!

What’s the least fun? Asking you for money. We really don’t like doing it. Maybe it’s just false pride; we’ll check with our therapist. For a long, long time—starting in 1979—we didn’t do any asking. We were such a no-budget operation that we were able to keep going on whatever money the singers were able to toss into the pot, plus the (meager) box office.

Now we have expenses! And, due to COVID restrictions, we can only invite a small audience. We’re asking them to pay more, this one time, but that still won’t cover us. Ay ay ay! We still kick in most of the funding ourselves, but our budget (yes, we have one now) will balance only with your help.

Go to artmob.org and click on the Donate button to use a credit card or PayPal. If you’re more of a phone app person, Venmo us at @artmob.

The Art Mob deserves to be around forever. But we’ll only last as long as our fans want us to, so give us a hand. Thank you!

hands
Give us some giving.

And, We’re Back!

Art Mob as sunflowers
We feel great!


The Fall ’21 season is happening and we couldn’t be happier!

The Art Mob is rising, with a new music director, new and returning singers, and renewed energy for those old, old songs.

The inspiring New York actor/musician, Cynthia Shaw, is pulling us together for “Vaccinatin’ Rhythm,” our curated program of pre-pandemic oldies that sound so fresh to our post-pandemic ears. She gets us!

Save the date! Art Mob’s Concert Weekend December 17-19, at our favorite venue, Tenri Cultural Institute. COVID safety rules will apply, seating will be limited, and we’ll all have to plan ahead. So mark your calendars and be ready to receive more information from on high, (the Internet), as we all do when we sing “Turn Your Radio On.”

(Vaccinatin’ Rhythm, you got us on the go … )


Curtain Up! Light the Lights!

We got nothing to hit but the … yeah, we got nothing.

We’re cancelled. It’s Concert Weekend, and we’re locked down. Shut in. But wait! Who says we haven’t been busy, creative, mentally agile? Yes, we have! Even in lock-down, the Art Mob has been meeting every Monday evening, our regular rehearsal night. We’ve been safe, we’ve been virtual, we’ve been virtuous. We have not been singing! It’s almost impossible to be in sync on Google Meet or the like. Heck, it IS impossible.

We’ve continued with our mission to entertain ourselves and others—ourselves, first—with recitations, show and tell, games, and, most successfully, poetry (of a sort). They’re linked below. Let us entertain you!

Like a timely limerick? We’ve got some doozies! Challenged to write from a sharp-edged list of prompts, our imaginations took flight.

PLUS, a multi-stanza ‘stravaganza; a video QVC-esque limerick from Bree!

Are Clerihews news to youse? Meet an oddball, light-verse form from the oddball past—exactly right for the Art Mob, you’ll agree.

So, we do have something, after all. Enjoy, and have faith that the Art Mob will celebrate Year 41 in December—somewhere, somehow, some way safe.


Art Mob Spring 2020 Season Cancelled. Duh.

We can’t sing. It’s not allowed.

We had a great theme this time: “Slings and Eros.” Maybe we’ll use it for next fall’s season instead. We were scheduled to sing on May 15, 16, and 17. Now we won’t even be able to get our hair cut by then, or, in a few isolated cases, discreetly colored. And we’ve forgotten what it’s like to wear actual clothing, certainly from the waist down, since pants at a Zoom meeting are as superfluous as a surgical mask in the bathtub.

But there is some good news! Ruby Truong, née McNeil, former Art Mob soprano and the daughter of Art Mob founder Marcia Tucker and her husband Dean McNeil, has given birth to the next generation of the Mob: Margot Star Truong. Mother, baby, and father Huy Truong are healthy and happy. What a blessing. Margot’s maternal grandparents would have been beyond ecstatic.

The Mob will be back, so don’t forget us! We’ll be singing on December 18, 19, and 20; we’ve already (before all the craziness began) booked Tenri Cultural Institute for the Friday and Saturday shows, and we’re looking for a Sunday venue. Who knows, maybe we’ll have to stand six feet apart. We probably won’t be wearing masks, since it’s hard to sing in those things, but we’ll try to avoid using too many explosive consonants.

We send you our heartfelt wishes for your health and safety in these dangerous and disorienting times. Thank you so much for your support. See you later!


From the Desk of the Treasurer

I’ll be direct: We need money. If you can give us some, it would really help us out. It’s tax deductible.

See my postscript.

I could have stopped there, but I feel the need to explain things. The Mob for its first thirty years or so operated on nothing, or as close to it as you can get. Now, our spending is still low relative to larger arts non-profits, but more than we can fund internally. The reason is very simple: Space. Our rehearsal spaces used to be free; now we have to pay. Performing spaces haven’t been free for a while, but they haven’t gotten any cheaper; quite the contrary. Our other expenses—printing and mailing postcards, printing programs, and very little else—are minor.

The music director needs to get paid as well, but I didn’t list that expense because we singers take responsibility for covering it ourselves. Which means we can’t afford also to pay for space rental and the rest.

Please donate right now, before you forget or chicken out.

The math is simple, too: What we take in at the box office is several hundred dollars short of what we must spend each season. That’s why we ask you, the Best Friends Forever of the Art Mob, to consider a tax-deductible donation to our very worthy little group.

We have remained true to the independent, intensely curious, non-conformist spirit in which Marcia Tucker founded us back in 1979, and we can keep doing that with your support. Even a small amount is helpful, a larger one that much more so.

Please donate right now, before you forget or chicken out, and use our Paypal link to send your donation to us. We will not waste it. Thank you, thank you, thank you for your generosity in the past and the future!!!

p.s. A confession: This is from me, the Treasurer, myself; my desk can’t write. It has legs, but no arms or hands, and it frankly has very little to say in any case.


Save those Dates or Pay the Price!

It’s autumn! We’ve been reviewing our faults and our misdeeds, resolving to do better, and gathering songs for our fall concert, “Sin Tax!” (December 13, 14, 15).

Charlton Heston as Moses
Is it repentance time yet?

And how appropriate a theme it always is. For some, fall is atonement season. But why atone for sinning when you can celebrate it in song? Not only are there oodles of songs about sins, an awful lot of them seem to be country songs. So we’ll be sinning—pardon me, I mean singing—“sad-ass songs,” as Dolly put it; love and loss as only Elvis could croon it; gamblin’ and robbin’ via Jimmie Rodgers; prostitution, thanks to Cole Porter (how’d he get in here?). We will not ignore lying, maternal neglect, corporal punishment, and murder, Appalachian-style. And because, as Wynton Marsalis said in the Ken Burns documentary, all country songs are about sin and repentance, we’ll have some repentance songs, too.When we chose the theme for this fall’s concert, I expected to be singing about grammar and sentence structure. But I was surprised at how few really good songs there are in that category, outside of Schoolhouse Rock! No, sin is a far richer vein to mine. (Yes, we’ll also sing about mines.) And we’ll feel free to drop the final g’s from our participles.

10 Commandments + Moses
Unfortunately, we will not be singing “The Ten Commandments” by The Fugs.

A bushel of these songs are arranged and expertly set on us Mobsters by some of us Mobsters (Dean, Connie, and Brent, that is), keeping it in the Family. And making their Mob debut this season are two new members, Tenor Avi and Soprano Raelyn, helping with the chores and beautifully filling out our sound. We’re sure glad to have them.

So mark your calendars to hear our newbies, relish our misdeeds, wallow along with us in regrets, and oh, yes, close with our annual Xmas singalong, and we’ll all feel better.


At 40, a View from the Top

As the spring flowers begin to blossom, the Art Mob’s 40th anniversary concert program begins to take shape. We’ve got the songs and we’ve got the order in which we’ll sing them, and some of them are sounding like music in our Monday night rehearsals.

The Mob is like a shark that must move forward to keep breathing, so we’re not looking to the past for our anniversary program: there is more new material than old, and we can once again guarantee—as always!—that you will hear music you’ve never heard before and may never hear again. We’re willing to bet that the number of living ears that have enjoyed the strains of When George III Was King, Over the Top for Jesus, or I’ll Do It All Over Again, divided by two, times the square root of all the vintage music videos on YouTube, is basically nobody. On the other hand, we’ve salted the program with a few popular favorites like As Time Goes By and You’re the Top, in world-premiere Art Mob exclusive arrangements.

In fact, there are no fewer than thirteen Mob arrangements on the list, some of which are reprises (Connie’s Come Home, Father, Dean’s Ruby), but most of which are brand new for this concert. Bernadette makes her Mob arranging debut, joining our veterans Dean, Connie, and Hannah.

It’s a bit late for us to take on new singers for this season, but we do hope you’ll try out for the next one. Male voices—a risky term to use in the gender-contentious present, but one still current in the world of vocal music—are in particu larly short supply, but that doesn’t mean you should stop reading if you’re an alto or soprano. We’d love to hear from you, and our corps of arrangers would be able to add more divisi to the parts.

Remember: Friday May 17 and Saturday May 18 at 8 pm, and Sunday May 19 at 3 pm. Friday and Sunday are at Ronald Feldman Gallery, 31 Mercer Street; Saturday is at Tenri Cultural Institute, 43A West 13th Street. In both venues you’ll get to see brilliant art while you listen to our enchanting music. Yes, this is a lot to remember. That’s why we wrote it all down for you.


The Art Mob Marches Forth

 

March 4th (get it?), 2019

It’s been a long, strange winter, but today we’re poking our heads up from under the snow and announcing our spring concerts, May 17-18-19.

And they will be the best concerts ever (at our favorite venues, Ronald Feldman Gallery and Tenri Cultural Institute). This entire  year will be the greatest Art Mob year ever, because, folks, it’s our 40th anniversary.

40 years ago, in 1979, the Art Mob was birthed by Marcia Tucker, whose next-best public accomplishment was to found the New Museum here in NYC. Since then, the Art Mob has rescued, revised, rearranged, and relished music of the Victorian era, Tin Pan Alley, shape-note, second-hand music collections, jazz, radio gospel, and much more.

Our theme this spring is “The Art Mob Tops 40.” You’d think the program will feature our greatest hits, our favorites, your favorites, top o’ the charts, something tops … but no.

When our theme was “In Gut We Trust,” we ended up singing not about feelings, but about digestion. In May we’ll be singing, not about aces, peaks and acmes, but about time: time going by; times past; grandfather clocks; time slipping away; do-overs and souvenirs, good years and bad; and, as always, much more. Yes, there will be a few “tops” tunes, and some of these songs about time did top their antique charts. Mostly, we’ll dig up more from that deep obscurity that so delights the Art Mob heart.

So mark all your calendars, please: the Art Mob Tops 40 on May 17, 18, 19.

And happy Spring.


Save Those Dates

Where does the time go?

Just yesterday it was August, hot as blazes. Suddenly it’s harvest moons, Halloween, and long underdrawers.

The Mob has been quiet but busy, gestating new music and more, and preparing for our December concert series: In Gut We Trust!

SAVE THE DATES!

In Gut We Trust! December 14, 15, 16! )

(Honestly, when we came up with the theme last May, this writer thought it would celebrate instinct and feelings, but as it’s turned out, we’re mostly singing about food and eating. And agita.)

By the time we’re ready for the concerts

SAVE THE DATES!

In Gut We Trust! December 14, 15, 16! )

I say, by the time we’re ready, we’ll know our post-election fates and whether eating—make that “stress eating”—will still be worthwhile. Or whether, as one of our songs says, we’ll get pie in the sky, by and by.

The Art Mob archivist has been busy, too. Now you can steep your senses in past recordings of glorious Art Mob tunes, in the bath or whenever convenient for you, on SoundCloud.

In addition to highlights from our latest, “Keep a Lid on It!,” featured albums are: the immortal “The Best Laid Planets”; the timeless “Pigments of Our Imagination”; the ethereal “How Can We Keep from Singing?”; and the unexpected “FlashMob.”  Click those titles, or gosh, just go to our entire trove of albums HERE.  We’ll keep adding to this collection until they demand more money.

Keep an eye out for sneak peeks of our forthcoming program and more treasures from the archives.

And don’t forget to

SAVE THE DATES!

In Gut We Trust! December 14, 15, 16! )


A Herd of Cats and a Hoard of Music

The Things We Sing: “I Had a Dream Just Now, Mother”

Art Mob treasurer, arranger, and bass Dean Rainey tells the story behind this Victorian exemplar:

Our Spring 2018 “Keep a Lid On It” program includes this spooky 1854 lament, representing a genre that dates from a time when infant mortality was far too common.

I Had a Dream sheet music

The original sheet music in Helen’s book.

The popular music industry of the day took advantage of this tragedy as an opportunity to pull on consumers’ heartstrings, which are reliably connected to their purse-strings.

In the case of this song, publisher W. C. Peters & Sons, of Cincinnati, sold a copy to the Thibault family. Helen E. Thibault, perhaps a musical daughter, included it in a bound collection of her sheet music, with her name engraved on the front. You can barely read it now.

Helen's book

Helen’s book

Time passed, and we don’t know exactly what became of Helen E. and the rest of the Thibaults. Her sheet music collection survived, though, and fell into the hands of an eccentric great-uncle of mine. I don’t recall ever meeting him; he lived in Southern California, where he worked, for decades, at a bookstore. A recluse in his later years and apparently a hoarder (he never let anyone into his house, so we have only the word of the people who cleaned it up after he died), he left no heirs, but his will divided his estate among three relatives, including my mother. His many books and his other property—of which there seems to have been very little other than a herd of cats—were sold off and the proceeds doled out as directed.

But there were some things that nobody wanted. Besides Helen’s volume of music, damaged by time, mildew, and cats, there were a hefty stack of loose sheet music, dating from the teens through the thirties; a boxful of Hollywood movie magazines; and miscellaneous movie star photos. All this was shipped to my mother’s address, where I pounced on the music. I have mined the loose sheets for many an Art Mob arrangement, but I always felt most emotionally attached to Helen’s book, since it connects me with a real person: a person who, judging from its contents, sang sentimental duets (“Our Wild Woodland Home,” “Gently Sighs the Breeze”) and played salon pieces for piano four hands (Overture to “Le Cheval de Bronze” by D. F. E Auber) and solo (“Le Carnevale de Venise” by Th. Oesten) when she was not singing about departed children. She also, charmingly, believed in fairies: the Mob sang “Tell Me Where Do Fairies Dwell,” one of several such songs in her book, in 2011 for our “Dwelling On It” program.

Music cover with Jenny Lind

19th-century musical superstars Jenny Lind and Marietta Alboni

I arranged “I Had a Dream Just Now, Mother” in 2010 for the Mob’s “Out of Our Element” concerts. The rationale for reprising it this time is—well, the real reason is that I had been haunted by a desire to sing it again and was looking for any excuse. The fig leaf of legitimacy is the “wreath of golden hair” with which the angel is bedecked. His lid.

I can find no trace of this song on the famously comprehensive Internet. Solon Nourse, the composer, is there, but as a hymnodist. The lyricist, A. J. Shively, has been totally eclipsed by a young Broadway actor of the same name. Helen is gone for good, and the baby left with the angel, but we can make the music come back to life. Come to the concert and enjoy this Art Mob hyper-exclusive.

 

 

 

 

Keep a Lid on It!

Hats and rabbits; sex and secrets; whistles and wails–Shhh!